welcome to the White Duck Editions blog and newsletter.
To celebrate 30 years since the release of Achtung Baby, U2’s career-defining 7th studio album, we were commissioned to screenprint two limited edition Shaughn McGrath artworks from the album's archive.
Black Dragon Press collaborate for the second time with Russian artist Ivan Solyaev, releasing a brilliant companion piece to 2019's 'XVII'.
After working as a music photographer since 2010, things went on hiatus while covid gave live music an unwelcome kick in the guts. The perfect antidote to the last two years? Photographing three electrifying bands at one of Britain's most iconic venues.
Murugiah, master of bold colour and surrealist composition, releases a unique artist’s proof edition of his superb Khruangbin poster artwork.
Dark City Gallery go to the source, employing a revered Japanese artist whose roots lie in the ukiyo-e tradition to create posters for Kaneto Shindô's iconic horror films
The Butterfly Effect reimagined: Malika Favre turns her illustrious anniversary cover artwork for The New Yorker into a beautiful new screenprinted art edition
With Matt Ferguson’s standout poster set complete, we thought it a great opportunity to ask Vice Press a few questions about handling film poster licences, meeting collectors expectations, and what it takes to make something new out of something so well known.
The renowned Belgian illustrator and long established UK gallery team up to fulfil a near decade long quest: to create the very first officially licensed alt. movie poster for one of Powell & Pressburger's all-time classics.
We were thrilled to talk with Mytton Williams for episode 10 of their excellent podcast. Making exceptional print — with Rebecca Cleal and Joshua Roberton.
In October Fontains D.C. played the iconic Alexandra Palace. Take a look at the printing process behind the official gig poster.
Evoking a moment of still tension amid the hidden pathways of a familiar English countryside, with their new screenprint edition Sam Chivers and Black Dragon Press invite us into the half-lit world of Richard Adams’ literary classic.
Ethan Sharp set the bar high with his posters for Perfect Blue and Metropolis. With his third release, Paranoia Agent, that trend continues, as he deliveries arguably his most ambitious and complex screenprint yet.
On a first outing with French illustrator Marylou Faure, we had the great pleasure of screenprinting a series of new art editions, each one full of the artist’s signature use of colour, strength of line, and unmistakeable character.
Black Dragon Press has again teamed up with Melbourne artist Choo, this time to release an art print that is full to the brim with bold colour and immediate appeal. With a print where colour is key, we thought it a fine opportunity to talk you through what it takes to mix those punchy colours.
We are White Duck Editions — print studio and fine art publisher. Established in May 2005 by Rebecca Cleal and Joshua Roberton...
Vice Press deliver a fantastic next instalment in their Flash Gordon series of posters, with an enviable pairing of the cult classic British film with illustrator extraordinaire Peter Diamond. Two of our favourites, working together, and the outcome is a real feast for the eyes.
In melding the worlds of physical and digital art, Belgian artist VEXX asks the question —Do these two realities really need to exist in mutual estrangement? With the rise of the NFT set against an undiminished love for the physical thing to hold and to hang.
Godzilla by Yuko Shimizu, formerly the art for The Criterion Collection’s excellent blu-ray box-set: Godzilla: The Showa-Era Films, 1954–1975, has been turned into a screenprint release by Black Dragon Press.
In 1981, The Clash cemented their cultural status as The Only Band That Matters, when they played an unprecedented 17 shows at the Bonds International Casino in Times Square,
With a new pair of screen printed posters, Black Dragon Press and Katherine Lam explore the subtle gravitas of Yasujirō Ozu’s first two titles in the Noriko Trilogy.